Category: Photography

For a brief history of the site please take a look at this website; I took a trip down after seeing some cool looking photography on the 28DL website.

For the full set of posters, please visit my flickr set .

At the front of the site is an imposing entrance hall, this building holds some administration rooms.  To the right is an intersting looking block, with a water tower and chimney. No doubt this holds a photogenic boiler or something, but sadly this building is well secured.

Visiting abandoned sites, I always worry about hw to get in.  Here, the doors were all locked, fortunately, other means of entry had been created.

Some notable rooms:

The Great Hall:

A ward staff room:

Another long hallway

For the full set of posters, please visit my flickr set .

Any comments on the photos, or if you have any experience of the Asylum; please share them below.

Thanks for looking.


The Willis Cinderella Shoes business started 1n 1848,  and appears to have occupied this site since 1876.  In the 1960’s the business was taken over by Great Universal Stores (Gus), but the factory was closed in 1976 when Gus pulled out of shoe manufacture.

In a 1948 commercial brochure on Worcester, the business is noted as

“The Company is jealous of its reputation for the quality of its productions, being concerned only in the making of high class footwear, covering a compehensive range of Ladies’ Walking, Sports, and Hand Turned Shoes. Recreational facilities in the form of football, cricket, tennis and bowls are enjoyed in ideal surroudings. ……. The Sports Ground, which adjoins the Factory, being one of the finest in the country.”

Most of the factory has been pulled down, however the frontage and what I guess may have been offices remain,2 stories tall.

The most ineresting rooms was near the locked front door;  remains of a tiled wooden floor differentiates the room from the other, bare tiled remains, and the grand fireplace, now in pieces and tidily piled in a corner suggest this was a room of importance, maybe a room for meeting customers or senior management.

Leaving the factory, I walked across a wasteland 200m to the sports ground.  I remember winning my fist cup final here about 17 years ago, and watching a game of cricket on the same field.

A few miutesonline research highlights why the old Pavilion still stands;  I think that thegroud will need a good mow before a player like WG Grace or the Australian team will consider revisiting.  It is not possible to get inside the Pavilion, but outside there is the groundsman’s hut, full of paint and equipment needed to maintain the pitches; left like he walked out, forgetting to come back.

By the cricket pitch, almost lost in brambles, you can still see a scorers hut; it is tempting to go back with some chalk….

If you have any comments on the photos, or if you have any memories from the factory or sportground, please feel free to add them below.

Thanks for reading.

50p Toy Panoramic Camera

Toy Panoramic Camera

At a car boot sale this morning I picked up a Halina Panorama-F 35mm Point and shoot.  Instead of actually shooting a wider than normal size shot on the film it actually shoots a standard width frame, but one that is shorter than on a standard 35mm camera.  It does however have wide field of view (24mm perhaps) and was good fun shooting a test roll during a bbq.

VickyThe camera is fixed focus, and claims to be sharp from 1m to infinity.  As you might expect from a plastic lens if is not exactly sharp, but plenty sharp enough to take interesting shots without thinking about aperture, iso and shutter speed.  The shutter speed is fixed, so the only user control variable is the, which can only be changed by switching film.  The instructions claim 400 is best, but 100 or 200 can be used in bright light.  I used HP5 400, which shoud give me plenty of room for error.  Only a few shots taken indoors without the flash where unusable

I find with panoramics, it usually makes a better picture if care is given in getting subects both close and further from the camera to help give the picture depth.  In this group shot, I positions a person closer to me on the side of the frame.  By doing this I find it draws the viewer into the picture, so that in this case they are part of the group eating marshmellows.

Finally, a portrait of my with my chicken taken byVicky.  After a BBQ and beers, the extra frame width is handy.

Just uploaded a couple of pictures (more to come) taken with a new ND1000 (10 stop) filter.

Pebbles and Groyne

Pebbles and Groyne

Click here to see the set.

While searching for information on the abandoned cottage I visited recently I stumbled upon a mention of a walk passing two abandoned cottages, not too far from home.

Using the walk route, I was able to spot on my OS map the building, and last Saturday was able to make a visit.

The photos shown, and more, are best viewed big on a black background here.

The building contains what appear to be two separate dwellings, and conveniently for me, the door of one of these was missing.  I walked into a large room, dominated by a bricked in, cast iron stove and fire.  Apart from the fire the room was bare, and furniture must have been taken away.  I can imagine this being a living room, and while the picture shows what look like a cast iron stove, there was a bigger, brick oven in a back room.  Maybe the back room was added on later and this was previously where the food was cooked.

The only other feature in the room is a small cupboard to the left of the stove, built into the wall.  Empty now, it is possible to imagine the cupboard being conveniently positioned to hold a few ingredients, or if we are in living room a few treasured items.

The walls throughout the property where covered in cracked plaster, with patches where the wooden lattice beneath could be seen.  In one place the plaster was carved with “Michael Cole 1911”.  Perhaps Michael was a previous resident?

The second room is narrower, and has two long shelves down the wall.  Looking at the shape, I think it was too narrow to be a room where people would have spent much time, so maybe it was just for storage?

Looking up, little floor remains on the first floor, just the beams the floorboards would have been laid on.  On the side of the beams were occasional hooks.  Perhaps these were convenient for hanging a light.

Through the floor boards the upstairs door can be seen.

Leaving the first room be a door at the back of the building we enter a third ground floor room in a single story section of the house.  Here we find another brick stove and a back door.  Outside here is an old iron pump for water.

The second dwelling is a mirror image of the first, but has not had the benefit of the roof being repaired.  As a result a number of trees have grown inside the building, poking their tops above the roofline.

In the wall between the two homes are a series of holes.  I cannot see any clues as to what these were for, but maybe they held some furniture, perhaps shelves or a sideboard in place?

I was able to leave through the front door of the second home I explored.  The door, wile weathered, still latched and swung smoothly.  Looking back I can see a view into the home a view that perhaps previously welcomed a farmer or farm hand?  The main room at the front of each house appears to be the living room, so perhaps in place of the dirt floor we can now see, there may have been an arm chair by the fire?

Any comments on the photos or ideas for similar sites in the South West Midlands welcome, thanks for looking.

Teccie bits:  All photos taken on an Olympus E510 with either Sigma 30mm F1.4, Zuiko 11-22 F2.8-3.5 or Zuiko 70-300mm lenses.  Processed with photoshop CS2, using PT Lens to remove distortion from the wide angle shots, and a few levels adjutments.  Black and White conversion contrast adjusments and split toning in Silver Efex Pro, and final cropping in Lightroom.


Originally uploaded by BaldyD

Abandoned Cottage, Near Clifton-On-Teme, Worcester.

Unfotunately this place has been abandoned a long time (graffiti indicates 1911?) and there were no leftovers from occupation. The cupboard seen here was empy, and the floor was hidden beneath dirt.

The photo here shows what I assume would be a stove, so perhaps this room was a kitchen/dining room. THe only other room on the ground floor was pretty narrow and had long shelves attached and no source of heat, so perhaps was just for storage. This room may have also been used for living quarters.

The rural location of the pair of houses, in the middle of a field must mean that the house was for farm workers. The building has two almost identical separate dwellings, so perhaps farm workers rather than a land owner?

Out the back was an old iron water pump. Otherwise I cannot imagine that there would be any addtional utilities.



A short post, on Monday I took a walk in the snow in Snowdonia.  Due to ice and mist, I walked up the Miner’s Track to where in joins the Pyg Track, then retuned along the Pyg Track. This was generally a very easy walk, apart from the steep climb at the end of the Miner’s Track where it joins the Pyg Track.  This was steep, and as I was the one of first to climb in the morning, hidden in snow and slippy.  I hope to have the weather to get make it worthwhile getting to the top next time.

A few photos from the trip can be found here.

Photos from the walk are here, generally shot in Aperture Priority.  Panoramas shot handheld, merged in PT Gui. B&W conversion in Silver Efex Pro.

360 Panorama of Campsite on Bleaklow

Having seen some pictures link of the B29 plane wreck on Bleaklow Moor, near Snake Pass, in the Peak District, I have wanted to take a look myself for a few months.

Leaving Birmingham after work on Friday, I took wanted to go straight to the crash site to camp for the night, so that I would be there for first light in the morning.

Campsite on Bleaklow

In the pitch black I followed the Pennine Way along the Devil’s Dyke for about 2 miles from the Snake Pass, not far from Glossop.  At the chosen point, at the top of Hern Cough I headed off the pass, across the moor towards the grid

reference I’d picked up from the internet.  This proved tricky, the land if full of dips and raised areas of grass, which make walking in a straight line impossible.  Normally one could pick a landmark in the right direction to head towards, but I’d left it until after dark before setting off, and in driving snow visibility was down to about 5 metres.  However using the Iphone’s GPS I was able to get in the approximate area of the plane, and find a hollow, out of the worst of the wind to camp for the night.

By morning, it had stopped snowing, and fortunately the mist was high enough to be able to see the surrounding moor.  Within 5 minutes I was able to find the plane.

Crash Site

I was surprised at the amount of wreckage, especially considering the plane crashed over 60 years ago in 1948.  I guess to the weather conditions, and the early start, I had the site to myself for about 2 hours (although I was joined by a passing white hare for a split second).

Due to the brightness of most frames, I set my camera to bracket +/- 1 stop in aperture priority mode.  Doing this allowed my to work quickly in the cold, knowing that for each scene, even i the meter was fooled by the light grey mist and cloud, and the white snow, I’d have a good exposure to work with when it came to processing.  Doing this saved me having to change too many settings, and so allowing me to keep my gloves on.  I wandered around the site first with a wide angle 11-22mm lens (22-44 35mm equivalent), then switched to a 40-150mm (80-300 35mm equivalent) to pick out some details.  I finished up with a second session with a wide angle. Again, I avoided changing the lens too many times, this allowed me to leave my back hidden behind a memorial stone and meant I minimised the times I had to stop in the cold. Generally, for the scenes with most white +1 stop was, as expected a good exposure, although for the close up shots, or shots with most dark wreckage, normal or -1 stop compensation was used for post processing.  Post processing was in Lightroom and then black and white conversion in Silver Efex Pro.

My waterproof trousers were very handy here, allowing me to lie and kneel on the snow without discomfort.

The memorial over the site reads:

“In Memory: Here lies the wreckage of B-29 Superfortress “Overexposed” of the 16th Photographic Reconnaissance Squadron, USAF which tragically crashed whilst descending through cloud on 3rd November 1948 killing all 13 crew members.

The Aircraft was on a routine flight from RAF Scampton to American AFB Burtonwood.  It is doubtful the crew ever saw the ground.”


The most striking part of the site are the plane’s four engines.  These made great subjects, with their frosted up heat sinks and gears, and drive shafts (I guess?) poking out the back.

The only other recognisable (to me) part was the undercarriage. I was able to find a set of small wheels attached to some debris which I imagine were under the wing, and a far larger wheel, perhaps from under the fuselage.  The larger wheel amazingly seemed to have the remnants of a tyre still attached – 60 years old…



The rest of the wreckage was anonymous to me, just sections of twisted, torn and decayed metal.

I have tried to capture wider scene of the crash site, and also picked out a few details, such as the rivets and the memorials left, I guess last November for Remembrance Day.

No doubt if this accident had taken place in a more accessible place most of the wreckage would have been looted by now, as it is remains a fitting tribute to the 13 men who died in the crash.

A slideshow of the images in this set can be found here

The Woods

On the weekend I was introduced to a site spotted by HeBeDeBe previously.  The description to his picture describes a “derelict cottage in the middle of the woods” which souded tempting. Kindly Mr HeBeDeBe offered to show me to the spot.

Please have a look at the story of our visit, then take a look at this slideshow of 14 images.

The Back Door of the Cottage

The Back Door. The Bottle on the Windowsill.

I’ve recently grown to enjoy taking pictures of decay; rusty, crusty and dusty scenes lending themselves to a contrasty black and white shot I get great enjoyment from.

First impressions of the cottage were very promising.  Deep in conversation, we were almost past the cottage before I saw it.  The nearby trees having almost grown trough what was perhaps once the porch.

In the front room not a lot remained, an upturned piece of unregonisable furniture dominating the room, however small objects left around were just enough to show that this room was once someone’s home.  Like the bottle and sandal on the window frame, and old, broken wooden tennis racket.  Off the main room was a strange 3/4 hight entrance to small half room, containing a stove.  Without gas and electric supplies, this may have been for heat.

Into the middle room we have more signs of a past life.  This looks like it was a living room. The in the middle of the room are three chairs; two wooden cushioned chairs sit by the fireplace, a folding wooden chair has been knocked over.  Along the side of the room is a battered sofa and an additional chair, perhaps ready to pull out when visitors arive.  On the windowsill in the lounge (I’ve decided that is what it was) is a mirror, half hidden by the fluttering, yellowed window drape.  On the floor, amoungst bags full of bottles, there is a small tin of boot polish.  In the fireplace is a metal gas stove, half fallen over. Now making the room feel colder.

The Lounge

The Lounge

At the far end of the cottage to the entrance I find the kitchen.  This is the most interesting room, appearing to have been left almost untouched since the owner left (apart from the stairs falling in).

The Kitchen Table

The Kitchen Table

On the table by the window are a selection of jars and cake tins; Bird’s Gravy Mix and a muffin tray.  On the cupboard, clearly emptied, a decorative biscuit tin.  Opposite the window is a table covered with upturned plates, and leaves. Just visible through the grime is an old tub of nivea. If there was a kettle, we coud have used one of the cups hanging up.

Washing Up

Washing Up

On the back of the cottage is an extra room, containing a bath, weedkiller and a seive.  The roof of this room is almost non existant, although the toilet paper on a bean above the door looks quite usable.

Weedkiller & Meths

Weedkiller & Meths


Fancy a Bath

On the walk back to the car, we pass a shed. While the house was intact, the shed has completly fallen in on itself.  We can still see a pair of wheels, perhaps from a trolley to bring in supplies from a nearby village?

A man trimming his hedge at  a local farm informed us that the former occupier was an author, who died and was taken away on a horse and cart.

Geeky Bits: Due to the low light levels in the wood, all photos were taken with tripod.  I used an F5.6 aperture, as this gives the sharpest results on my Olympus 11-22 mm Lens (22-44 35mm equiv), and a two second delay after the mirror went up to eliminate camera shake.  Inside shutter speeds were 2-10 seconds. Outdoors 1/30 to 2/3 second.  On the day of this visit the sky was overcast, which I think helped by reducing harsh shadows.

Processing was done in Nik Software Silver Efex Pro.  Brightness was tweaked if necessary, then contrast was adjusted locally to pick out the interesting details and focal points.  Edges were burnt to give a vintage feel and draw the eye into the shots.

Any comments of thoughts welcome, either here or on the flickr pages the photos link to.

Photoshop Mobile

Photoshop Mobile Mobile (Version

Released in late 2009 the Official Adobe Photoshop Application is downloadable for free.  While it obviously can’t provide all the functionality of Photoshop itself, it does allow the Iphone user to make basic image manipulations.

The Screen shows four key menus for altering images, with functions placed in a logical order so that it makes sense to work left to right.

The first menu helps tweak composition, with Crop, Straighten, Rotate and Flip tools.  The crop tool unsurprisingly creates a box, the corners of which can be dragged to position where the image will be cropped.  The Straighten tool creates a grid marking over the image, which can then be rotated by dragging a finger up or down either side of the screen.  Compared to the user interface for straightening found in photogene v2.5, this is far easier to control, and the grid lines make it simple to line up a horizon horizontally, or a building vertically.  To keep things simple, there is also a rotate tool which works in the same way but without the gridlines, so an image can be turned in 90 degree steps.  Finally in this section, there is a flip tool.  Using the Iphones facility to interpret swipes of a finger, to flip the image vertically an up/down swipe is needed, and for a mirror image a left right swipe is used.

Composition Tools

Composition Tools

After the composition is completed, the user moved onto the next set of tools, which we can call colour.  The first tool here is Exposure to brighten or darken an image.  Again this tool, as do most others, allow the user to swipe left to right to increase exposure (brighten), or right to left to decrease exposure (darken the image), in total there appear to be steps of +/- 64 settings for exposure, which should allow accurate adjustments.  Saturation (how vivid the colours appear) and Contrast (darkens darks, lightens lights) works in exactly the same manner as the exposure control, by swiping either left to right to increase Saturation or Contrast, and right to left to decrease.

The final two options under the colour menu are black and white, which converts an image to greyscale, and Tint.  By swiping left/right on the screen tint converts the image so that it uses varying brightness of the same colour.

After the colour menu we move onto a filter menu, with three options: Sketch, Soft Focus and Sharpen.  Sketch appears to apply a posterising effect, reducing the number of colours used in an image.  Swiping left to right changes the strength of this effect (number of colours used).

Soft Focus appears to reduce the contrast of an image, which would perhaps be a nice effect on a close up portrait to give a flattering skin effect.  On my Iphone I found the controls for this tool slightly unwieldy, but with trial and error it is possible to apply a subtle effect.  While the application has an indicator to show how the strength of the soft focus effect which indicates that there are 254 different strength steps, in reality it appears there are about five.

Sharpening allows the user to increase definition of an image, which is important on all digital images and should be the last step of manipulation.  On an Iphone this is a particularly important tool due to the relatively low quality of lens and tiny sensor.  The tool seems to work well and allows fine tuning of sharpening so an appropriate amount can be set.

In the final menu, there are two tools.  Firstly Effects offers a selection of 7 presents is varying usefulness.  Vibrant appears to boost saturation, contrast and sharpening, so is a simple way of making an image appear clear and attractive.  ‘Pop’ applied an Andy Warhol type effect, replicating the image 4 times in a square with different tints. Vignette Blur applies a blur effect to the edges of an image; this can be effective in giving a narrow depth of field effect, so that for example a person is a portrait is separated from a complex background. Warm vignette appears to soften an increase the colour an image; I can barely detect a vignette being applied. Rainbow gives an alternative set of tinted stripes. White glow brightens and image and reduces contrast and finally black and white reduced contrast and creates a grey scale image.  While Vibrant, and vignette blur may be useful timesavers, I see the other effects and gimmicks that I doubt will be used very often.

Prior to saving the photo, it may be nice to add a frame.  As mentioned in my Photogene 2.5 review, a thin black frame helps define the edges of pale images on a white background, so is useful for Flickr and Facebook. The Borders tool offers eight present frames, with white rectangle, rounded rectangle and oval, a faded rectangle, rounded rectangle and oval, a film emulsion effect and an effect called halftone (shown below).  It is not possible to edit these borders.

Emulsion Frame

Emulsion Frame

Halftone Border

Halftone Border

To finish the image can be saved, and uploaded to

Verdict: Nice range of tools, although lacking the precise control given by Photogene, Photoshop Mobile has a slicker user interface.

Price: £Free!

Pros: Interface, Price

Cons: Has a tendancy to crash on my 3G Iphone, no custom borders/levels controls.